A premiere that was never completed. Das Kitzelmonster (The Tickle Monster) was supposed to be performed, but the audience was simply too weak. And today? Today, the author stands before us, talking about her greatest defeat and a curse that hovers over that evening. It is the curse of the past; of childhood; of missed opportunities that haunt her. The audience is haunted as well, for tonight we delve into the horror of the everyday, which will envelop everyone, with the threat of dragging them into the depths.
There, where it is least expected, that's where it lurks: the Tickle Monster, a sinister figure in spooky attire and with an empty face. It appears wherever people are in distress—not to help, but to tickle the suffering. *gulp* It shows up where all the night pharmacies are closed, when you urgently need a fever reducer, or when you wake up at night with such severe stomach pains that only a trip to the emergency room is left. A small matter really, and *snap*, just like that, you spend a night in the hospital's dying room.
Abendzettel: Das Kitzelmonster
The Tickle Monster deals with the everyday fears—the moment when the certainties of our daily life lose their validity, even if only in our imaginations and dreams. In this moment, a chasm to hell opens in civilization, and demons and ghosts from a long-past age come to haunt us.
Do we change for the better through the confrontation with death and grow beyond ourselves, or are we left merely confused? The Tickle Monster leaves behind a feeling of confusion and fear, far removed from any positive transformation or catharsis.
The Tickle Monster is a stage play by author Barbi Marković, commissioned by Peira and directed by Alexander Bauer. It is a premiere of the play, taking the audience into the deepest corners of the human psyche, making us laugh in the process.
Salzburger Nachrichten, 19.04.24, Sonja Harter: Theater am Werk Petersplatz widmet sich dem "Kitzelmonster"
Kurier, 19.04.24, Susanne Zobl: "Jubel für die Autorin: „Das Kitzelmonster“ im Theater am Werk"
Der Standard, 21.04.24, Margarete Affenzeller: "Das Kitzelmonster" von Barbi Marković quält die Schwächsten
We have really big news: SISTERQUEENS has received funding from the Lotto Foundation Berlin! We still have a bit of sorting out to do, but soon we'll be back with workshops, concerts, new songs, block parties and much more! Our biggest thanks go out to all our numerous supporters. Funding is still tight, so we are of course still happy to receive donations and are currently still looking for more funds. If you would like to support SISTERQUEENS, you can find all the information at kollaboev.de.
Judith von Plato attended the rap workshop during the Easter vacations as part of the “sister*hood” project and wrote about SISTERQUEENS – especially about how important it is for the participants to have shared experiences. The article "Wut und Mut und ein Mikrofon" was published in Die Zeit, No. 21 2025. If you have a Zeit subscription, you can read the article here.
The documentary “Sisterqueens” has been released in cinemas. On March 9, we were guests at a special screening at Babylon Kreuzberg for a Q&A and subsequent discussion about the cultural cuts in Berlin. You can find the latest cinema dates on the film's Instagram channel @sisterqueens_film
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